BARRY KAY ARCHIVE

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Tancredi

Omnes Alphabetical Index - Detailed Performance Data

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Anastasia ¹
Anastasia ³
Bal de la Victoire
Cain & Abel
Chaganog
Chiaroscuro
Cunning Little Vixen
Dance of Death
Divertimento
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Images of Love
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Jacaranda Town
Keyhole
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Measure f. Measure
Meistersingers
Métaboles
Mirrors of the Truth

Miss Julie
Non Stop
No Why
Peter Grimes
Picnic
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Pulcinella
Rake's Progress
Raymonda, Act III
Salade
Sleeping Beauty

Soft Sorrow
Solitaire
Sound Barrier
Summer of Seventeenth Doll
Swan Lake, Act II
Taming of the Shrew
Tancredi
Tell-Tale Heart
Thieves' Carnival
Unicorn, Gorgon & Manticore
Victor

Ballet - Dance

1966/MAY/18

Title:

Tancredi

Genre:

Index:
Genre:
Production:
Assignment:
Portfolio:
File:

Choreography:
Company:
Conductor:
Orchestra:
Technics:
Lighting:
Intendant:
Venue:
Performance:

Cast:
















Choreogr. Assist.:

Music:

Libretto:
Plot:




Reference:

Ballet - one act, two scenes

DSN
BT
TC
Scenery / Costumes
SKT / DWG
Bt.TC

Rudolf Nureyev
Wiener Staatsopernballett
Ernst Märzendorfer
Orchester der Wiener Staatsoper
[?]
[?]
[?]
Wiener Staatsoper
World Première

Die Urmutter - Lidia Coronica
Die Lebenspendenden - Rudolfine Bach, Eva Bernhofer, Elfriede Gara,
Liselotte Hauck, Inge Hiltscher, Inge Schenk, Liselotte Wiedermann,
Karin Wittek, Linda Zampani
Tancredi - Rudolf Nureyev
Sein zweites Ich - Günther Falusy
Seine Reflektionen - Michael Birkmayer, Gerhard Dirtl, Günther Falusy,
Oswald Haderer, Peter Kastelik, Ferdinand Liederer, Peter Mallek
Erstes Frauenbild - Lisl Maar
Ihre Spiegelungen - Gisela Ceck, Krista Dill, Judith Gerber, Inge Kazna,
Elisabeth Möbius, Lilly Scheuermann, Brigitte Stanek
Zweites Frauenbild - Ully Wührer
Der Verwandler - Franz Wilhelm
Seine Helfer - Robert Minder, Helmut Reischütz
Komödianten - Wilhelm Füllerer, Heinz Heidenreich, Anton Hejna,
Wolfgang Kres

Richard Nowotny

Hans Werner Henze: Pas d'action, composed 1952 and withdrawn;
subsequently worked into Tancredi, 1964
Peter Csobádi
The conflicts within a man's personality are evoked in a sequence
of images linked by poetic rather than by narrative logic. Torn
between contrary urges, Tancredi becomes the plaything, and finally
the victim, of the creations of his own imagination.

Rudolf Nureyev's first try at choreographing a modern ballet

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