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BARRY KAY ARCHIVE
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London
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Home
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Barry Kay
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Bibliographic Notes
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Abstract
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* Born in Melbourne, Australia, 1932
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Barry Kay's prolific, artistic output clearly demonstrates his development and steady advancement, eventually resulting in the most innovative ideas he contributed to the performing arts. His career could reasonably be divided into three overlapping, albeit tentatively assessed, creative periods: 1. the 'early period' of seeking his orientation - lasting from 1953/54 to 1958/59; 2. the transitional 'middle period' of gradually breaking away from conventions in stage design such as painted sets - lasting until about 1964; and 3. the 'late period' during which he designed constructed sets revolutionizing ballet design - terminating with his death in 1985.
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Stage and Costume Designs
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Mounted for
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American Ballet Theater, New York
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Presented at
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Arts Theatre, London
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Associated Events
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Adelaide Festival
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Annelie Juda Fine Arts, London
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Anastasia ² Act I
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Exhibitions
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Barry Kay - A Tribute (1932-1985)
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Australian Ballet Foundation, Melbourne
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Posthumous
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National Library of Australia, PANDORA web archive, November 2006 [1.5]
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Photography
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Exhibitions
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Australian Centre for Photography, Sydney
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Book Publications
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As a Woman, St. Martin's Press, New York, 1976
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Media Publications
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'British Journal of Photography'
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Film and Television
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Assignments
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Design Consultant [1.7] - Darling, movie; direction John Schlesinger; starring Julie Christie, Dirk Bogarde, Laurence Harvey; 1965
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Home
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Aired Productions
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Australian Broadcasting Corporation, ABC, subject [?]
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Documentaries
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Norddeutscher Rundfunk, NDR, Hamburg, national transmission of biographical documentation of Kay's work for stage design and photography; NDR TV, Channel 1; 1978
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Commission of four tapestries for the State Theatre's Grand Hall; project foiled by committee.
back to text
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In 1978, when the British Council dissolved its arts collection, Kay's designs were handed over to the Theatre Collections of the Victoria & Albert Museum.
back to text
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The Felton Bequest is no longer in existence; the whereabouts of Kay's designs are not known. back to text
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The London Theatre Museum, a short-lived, independently operating offshoot from the Victoria & Albert Museum and Britain's only performing arts museum established with theatre-related meterials from the V&A in 1987, is defunct with effect of 7 January 2007. Its collections are now reintegrated into the V&A Theatre Collections. back to text
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The National Library of Australia posthumously honoured Barry Kay for his artistic achievements and identified the Barry Kay Archive for conserving, preserving and archiving Kay's creations, as well as for providing public online access to them - as: "Heritage of national significance with long-term research value." As a result, the online publication of the Barry Kay Archive is retained in the Library's database of PANDORA, Australia's Web Archive, to provide independent public access to it in perpetuity. back to text
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Live Performance Australia, the peak body for Australia's live entertainment and performing arts industry, posthumously selected Barry Kay as one of eighty theatre artists awarded a place in its newly established virtual
Hall of Fame, featuring a short biography about each artist. back to text
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The Archive holds conflicting information in respect of Kay's assignment to Darling; both design consultant and art director are recorded. It would appear far more likely for Kay to have worked together with the costume designer Julie Harris, or the set designer David Ffolkes, rather than with Ray Simm, the art director. back to text
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please assist the
Archive in correcting or completing entries
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http://www.barry-kay-archive.org/BIOGRAPHY/BG_abstract.html
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